Small complaint first: twelve seats means booking takes actual planning, and with Sundays and Mondays dark, your window shrinks fast. Worth the calendar math, though. The counter crowd up in Sarrià-Sant Gervasi is its own show — a hush of people who came to pay attention, phones mostly away, everyone tracking Koichi Kuwabara's hands as each piece arrives one at a time. No influencer energy, no birthday-party volume, just twelve strangers silently agreeing that the fish deserves this much seriousness. That kind of room changes how you eat; I slowed down without being told to. The omakase moves at its own measured pace by design, and on those terms it's very good. This isn't a weekly night out for me, more a few-times-a-year reset, but when I want Barcelona to go quiet for two hours, this counter is where I head.
Order this: The full omakase, no substitutions, and let them run the whole thing.
RRachel K.
Lead critic · We Know Barcelona
Wrote the lead review above.
One piece at a time, no menu in hand, and my glass kept discreetly full without a word from me. That is the drinks service at Scapar in miniature: attentive and spare, matched to the rhythm of the meal rather than to any script. The fish is given complete attention, the room calm by design. A slow, deliberate sitting, a handful of times a year, and worth booking the counter for.
No substitutions, I said at the door before they could ask, and the welcome warmed a degree; this house prefers guests who surrender early. From that greeting on, the meal moved at the pace they chose, each piece arriving alone, the fish treated with a gravity most kitchens reserve for ceremony. Sarrià suits such restraint, being a district that minds its own business. Once a season or so I go back and surrender again, gladly.
Half past nine on a night of hard autumn rain, and the counter at Scapar was the calmest place in Sarrià-Sant Gervasi. Omakase taken one piece at a time, fish handled with complete seriousness, a pace that is slow because it means to be. Sit at the counter, skip the substitutions, let them run it. I return as the seasons change, and each visit repays the attention.
Each critic scores, verdicts and writes independently after their own visits. Where they disagree, we leave it on the page.
Reviewed by our panel of 4 critics · a living guide, updated July 2026.