The bill asks for respect here, and for once I paid it without argument. Take the counter seat. From there you watch Mitsutaka Kawata's kitchen work with the economy of people who trust their technique: knife strokes measured, temperatures minded, nothing done twice. The sashimi is where the discipline shows, each cut served at the temperature it deserves rather than fridge-cold, textures kept distinct instead of allowed to blur. The room stays calm enough that the restraint registers; conversation drops to match it. This is Japanese cooking with a serious streak, and none of it curdles into solemnity, which is the harder trick. I hold it as a quarterly appointment, saved for evenings when I want something considered rather than casual, and it has yet to let the standard slip. Expensive, yes, and visibly so on the plate.
Order this: Let the kitchen set the order; the sashimi is the measure of the house.
PPau M.
Lead critic · We Know Barcelona
Wrote the lead review above.
Pay attention when the bill lands: it is not small, and you will still feel you came out ahead. From my seat I could watch the kitchen work, quiet, deliberate labour, knives moving with the economy of long habit. Japanese cooking held to an exacting standard, nothing done for show. Restraint like this takes years to earn. Every few months, gladly.
Three minutes in and nobody has said more than a dozen words to us, which turns out to be the house style rather than a lapse. Sun Taka runs quiet: a nod at the door, a hot towel, the first plates arriving with no speech attached. The cooking is exact and restrained to a degree that occasionally shades into reticence; I wanted one course to raise its voice. Still, technique this composed is not common, and the calm suits it.
Each critic scores, verdicts and writes independently after their own visits. Where they disagree, we leave it on the page.
Reviewed by our panel of 3 critics · a living guide, updated July 2026.